Showing posts with label Alexis Mayer. Show all posts
Showing posts with label Alexis Mayer. Show all posts

Saturday, October 6, 2012

Home Movie Magic: A Q&A with AMATEUR NIGHT Director Dwight Swanson

By Devin Wachs, BMFI Public Relations Manager

On Tuesday, October 9, Bryn Mawr Film Institute celebrates amateur filmmaking with a special screening of Amateur Night: Home Movies from American Archives, the new film by accomplished archivist and Home Movie Day co-founder Dwight Swanson, who will answer questions following the screening. This feature-length compilation features home movies by Alfred Hitchcock, the Nixon family, and the “Average Joe”, as well as amateur recordings chronicling historic moments, like the testing of an atomic bomb, the aftermath of Hurricane Katrina, and The Last Great Gathering of the Sioux Nation. The screening, which is free for BMFI members, is presented in conjunction with Home Movie Day's 10th anniversary.

Our theater manager Alexis Mayer interviewed Dwight Swanson via email. Keep reading to learn more about the origins of Amateur Night and what you can do to protect your own home movies.
How did Amateur Night come about? How did you choose which films to include?

The genesis of Amateur Night came at a meeting of the Association of Moving Image Archivists' amateur film committee. We were a group of archivists who were working with home movies, and while excited about the preservation projects we were undertaking, largely with the support of the National Film Preservation Foundation, we were frustrated that the fact that so many of them were going unseen. There just wasn't a history of doing public screenings of home movies and amateur films, and the filmmakers that used them were mostly using short clips rather than showing the films in their entirety.


"Our Day" by Wallace Kelly is a 1938 day-in-the-life portrait of the Kelly family of Lebanon, Kentucky.
Featured in Amateur Night courtesy of Martha Kelly and the Center for Home Movies.

At the time, and still today, we felt like we were battling with a lot of preconceptions about home movies, and so felt that instead of just getting on our soapboxes and giving lectures about the importance of home movies as cultural and aesthetic documents we would just give audiences something to watch. We came up with the idea of putting together a program that would spotlight some of the amazing films that archives around the country were collecting and preserving, so that we could give people a hint of the history of amateur filmmaking and show why we love the movies so much.

Where can people go to see more of these films?

Amateur Night will eventually have a video release, but a few of the individual films are available now. The Chicago Film Archives has included "Fairy Princess" and several other films by Margaret Conneely on their YouTube channel. "Nixon in Idaho Falls" is also on YouTube and it will be included in the forthcoming feature documentary Our Nixon. Wallace Kelly's "Our Day", the final film in Amateur Night, is available online with the new score by musician Rachel Grimes. Rachel re-recorded the score with a chamber orchestra and is selling it as a standalone DVD.



Amateur Night was preceded by a similar DVD project that the Center for Home Movies produced in 2007. Living Room Cinema: Films From Home Movie Day includes twenty-two home movies and amateur films that had been shown during the first two years of Home Movie Day events.

The archives who contributed the films to Amateur Night are also an excellent source for home movies, both in the archives and on their websites, as more and more films get digitized. And finally, we are still finding that some of the best home movies are still sitting in drawers and basements in the filmmakers houses (or the houses of the filmmakers' kids).

What should people do with their own home movies?

The best thing that can be done to extend the lifespans of the reels themselves is keep an eye on their storage conditions, and to keep them as cool and dry as possible. Also, make sure that they are identified in some way, so if they are discovered years from now people will know what is on them and will be less likely to discard them. Getting films transferred to video will make it much easier to view them and share them with friends and family. If you don't have a projector of your own or want to talk to preservation professionals, you should bring them to Home Movie Day on October 20th. It will take place in cities around the world, including at PhillyCAM in downtown Philadelphia.
Thank you, Dwight! You can ask him questions of your own after Bryn Mawr Film Institute’s screening of Amateur Night.

Dwight Swanson co-founded Home Movie Day and the Center for Home Movies. He received his M.A. in American Studies from the University of Maryland and graduated from the L. Jeffrey Selznick School of Film Preservation at the George Eastman House. He has worked as an archivist at the Alaska Moving Image Preservation Association, Appalshop, and Northeast Historic Film, has written and lectured extensively on amateur film and home movies, and is a past member of the National Film Preservation Board.


Devin Wachs is the Public Relations Manager for Bryn Mawr Film Institute. She joined BMFI in 2005, following her graduation from Bryn Mawr College. If you send BMFI a message on Facebook or Twitter or are interested in onscreen sponsorships, she's the one who'll be in touch!

Wednesday, January 18, 2012

Paul Thomas Anderson's Boogie Nights: An Introduction

Last week we showed Boogie Nights in conjunction with our new film education course, Paul Thomas Anderson: Cinematic Cypher. Taught by Paul Wright, Ph.D., the class starts tonight. In case you couldn't come to one or both, you can check out an abridged version of BMFI Manager Alexis Mayer's introduction to Boogie Nights below.



Boogie Nights: An Introduction
By Alexis Mayer, BMFI Theater Manager

Boogie Nights is Anderson's second film and he was 26 when he made it. The inspiration came from his own fascination and love of pornography, a fascination which he has made clear in countless interviews, he is neither embarrassed nor apologetic about. The film takes place over the transitional period of pornography--on film and in movie theaters, to video and at home.  It is an homage to a time when Anderson felt there was more emphasis on story and characters, and pornography was its own genre, rather than a sleazy parallel culture.

While the film is about pornography, it's not one that takes a political stance, and that was not Anderson's intention. He didn't want to tell a story about pornography's impact on society, but rather the lives of the pornographers themselves and their human qualities. As Roger Ebert puts it in his review, "They may live in a disreputable world, but they have the same ambitions and in a weird way similar values as mainstream Hollywood."

Many of the characters in Boogie Nights are influenced by real life porn figures and their real life experiences and two of the supporting actors are porn actors themselves. Mark Wahlberg's character Dirk Diggler is loosely based on porn star of the time John Holmes, and the final chapter reflects similar events in which Holmes was a murder suspect. Nina Hartley plays the wife of William H. Macy's character Little Bill. And the role of the family court judge in the custody hearing between Amber Waves, played by Julianne Moore, and her ex-husband is performed by actress Veronica Hart, who Anderson likes to call the Meryl Streep of pornography.

Anderson does gloss over some details. Most notably, it was illegal to film pornography in California in the '70s, where and when Boogie Nights takes place. But I forgive him that one. This is a great story, with great performances from a great supporting cast, including Don Cheadle, Phillip Seymour Hoffman, John C. Riley, Ricky Jay, and Alfred Molina, to name a few not already mentioned. Mark Wahlberg plays the central character of the film Dirk Diggler but the role was originally offered to Leonardo DiCaprio. DiCaprio turned it down to play Titanic. The role of Jack Horner, porno producer, director and father figure to his gang of actors, is played by Burt Reynolds who refused the role several times before finally accepting, believing it to be an exploitation flick. And supposedly, after seeing a rough cut of the film, he was so disappointed that he fired his agents. And then of course, the film got nominated for three Oscars, including best supporting actor for Mr. Reynolds.

There's a parallel between the character of Dirk Diggler and Paul Thomas Anderson himself that I really like. Anderson says in an interview for Creative Screenwriting Magazine that following big disappointments with his debut feature Hard Eight, he wrote Boogie Nights "fueled by a desire for revenge on all the people who told me I'd ever amount to anything." I think of the scene in the beginning of Boogie Nights where Eddie, before he becomes Dirk, has a fight with his mom and says, "You don't know what I can do, what I'm gonna do, or what I'm gonna be. You don't know I'm good, I have good things you don't know about, and I'm gonna be something! I am!" Dirk goes on to win an Adult Film Award for Best Penis, and Anderson gets his Oscar nomination for Best Original Screenplay.

For Further Reading:
Mottram, James, The Sundance Kids - How the Mavericks Took Back Hollywood, New York: Faber and Faber, Inc., 2006




Theater Manager Alexis Mayer is a film handler and projectionist with a B.F.A. in Visual and Media Arts from Emerson College and a professional certificate in the Preservation and Restoration of Motion Picture Films from the L. Jefferey Selznick School of Film Preservation.

Tuesday, November 1, 2011

BMFI Manager Alexis Mayer: Why I Love DEAD MAN

BMFI Theater Manager and film preservationist Alexis Mayer writes about why she loves Jim Jarmusch's Dead Man, which is being shown tonight in conjunction with BMFI's Film Education Spotlight series and four-week course on Jarmusch's films. Her take on the "acid western" is the latest in a series of posts began this summer about the movies that BMFI's staff and community members love.


Why I Love Dead Man
By Alexis Mayer, Theater Manager

The first time I saw Dead Man was sometime in 2009 in Rochester New York. I was lucky enough to catch it in 35mm. Something terrible had happened that day and so I went in a daze and came to at the end when [SPOILER ALERT] William Blake (Johnny Depp) is in the canoe staring up at the sky as it floats away from the shore. It's a powerful moment and I realized, "Wow, this is an amazing movie, and I just missed the entire thing!" 

The film is full of these moments. When I actually saw it (on DVD this time), I had to watch it a second time the very next day. It's one of the few films that I can say I enjoy watching over and over and over again. My favorite thing about this film is it's tone. It's a fantasy western shot in black and white with stunning scenes, an incredible original score by Neil Young, and weird characters played by actors like Crispin Glover. 

I find myself lingering on every bit of dialogue; it's purposeful, clever, and funny in a way that is nothing short of perfect. One of my favorite lines is when John Dickinson (Robert Mitchum) tells Conway Twill (Michael Wincott), "You're a real good killer, but be sure you keep that goddamn trap shut." Another is during my favorite scene in the woods when Big George Drakoulious (Billy Bob Thornton) asks his friend Salvatore 'Sally' Jenko (Iggy Pop), "What's a Philistine?" and Sally responds, "Well, it's just a real dirty person." 

Dead Man is full of cameos, like Iggy Pop's cross-dressing
Salvatore "Sally" (left), shown here with star Johnny Depp.
This movie is so good! Don't miss the chance to see it today in 35mm at Bryn Mawr Film Institute!

Theater Manager Alexis Mayer is a film handler and projectionist with a B.F.A. in Visual and Media Arts from Emerson College and a professional certificate in the Preservation and Restoration of Motion Picture Films from the L. Jefferey Selznick School of Film Preservation.

See Dead Man tonight, Tuesday, November 1 at 7:00 pm. Film critic and author Chris Long, M.A., will introduce the screening. Watch a trailer and buy tickets here.